Thanks for the reply 🙂
I appreciate the explanation, but I'm still confused as to why "Spotify’s or a third party rightsholder’s discretion" would mean licencing the entire series except those three seemingly random titles.
Looking at the specific subseries there seems to be a little sense to be found. "Equal Rites" is the first book in "The Witches" subseries; "Guards Guards!" is the first book in "The City Watch" subseries; but "Eric" is the fourth book in "The Wizards" subseries.
To offer some feedback, not including those books, especially the ones that act as the first in a subseries, means there is no point in listening to any of the other books in those subseries - unless of course you purchase the missing title(s). As such it seems like a waste to license the other 18 titles in those subseries by putting a paywall at the entry point of two subseries, and the midpoint of another.
Excluding two entry points into two subseries seems particularly odd as I'd imagine you'd typically want to offer a "free" entry into a series to see if the listener enjoys it and/or gets hooked at no cost/risk to them, and then potentially charge for later titles when they are invested.
This situation just makes very little sense to me both as a fan of Spotify and Discworld, and from a business perspective.
For any other subscribers who come across this thread, the subseries available to listen to in their entirety via the current subscriber catalog are:
- The Death subseries - Books 4, 11, 16, 20, and 26
- The Tiffany Aching subseries - Books 30, 32, 35, 38, and 41
- The Moist von Lipwig subseries - Books 33, 36, and 40
- And the standalone titles - Books 7, 10, 13, 25, 28, and 31
The "Wizards" subseries (books 1, 2, 5, 9, 17, 22, and 37); the "Witches" subseries (books 3, 6, 12, 14, 18, and 23); and the "City Watch" subseries (books 8, 15, 19, 21, 24, 29, 34, and 39) currently cannot be listened to in their entirety without additional purchases (books 3, 8, and 9).